Why Stories Matter—Especially When the World Feels Big
(Jan 2026)
When I worked as a nurse, I learned quickly that most people don’t come into healthcare at their strongest moments. They come in scared, overwhelmed, and unsure of what’s coming next. A big part of my job was simply helping people feel safe—letting them know that even when things looked daunting, they weren’t alone.
That understanding has stayed with me and deeply influences the stories I write.
For kids especially, the world can feel enormous. New schools, new expectations, big emotions they don’t yet have the words for—it can all feel like too much. Stories offer a place to breathe. They create a safe space where kids can explore fear, courage, friendship, and hope from a distance that feels manageable.
When a child connects with a character, they’re not just being entertained—they’re practicing empathy. They’re learning that it’s okay to be scared, that mistakes don’t define you, and that bravery doesn’t mean fearlessness. It means continuing anyway.
That’s why I believe stories matter. They reassure us. They remind us that even when we don’t have all the answers, we’re capable of more than we think. And sometimes, that quiet reassurance is exactly what someone—especially a young reader—needs.
Writing From the Heart (and Why I Don’t Outline Everything)
(Dec 2025)
I’m often asked about my writing process, and my answer usually surprises people: I don’t fully plan my stories.
I don’t come from a formal writing background. I didn’t study literature or creative writing in a traditional sense. Instead, I sit down, open a blank page, and let the story take me where it wants to go. I write from the heart, trusting that the journey I’m on as I write will translate to the reader turning the pages.
Most of my writing happens late at night. I’m not a morning person, and there’s something about those quiet hours—when the rest of the world has gone still—that allows creativity to show up honestly. It’s a kind of controlled chaos, and it’s where I do my best work.
This approach may not be for everyone, but for me, it keeps the writing alive. Characters surprise me. Plot twists appear organically. Emotions feel genuine because I’m discovering them in real time, just like the reader will.
I think there’s an important lesson in that, especially for young creatives: you don’t have to do things the “right” way to create something meaningful. There is no single path to storytelling. If you care deeply, if you listen closely, and if you’re willing to start—even without a perfect plan—you’re already doing it right.